Category Archives: Musical

New Synth Cabinet

I decided to wait on posting about this new project until I had my first module installed and in working order; that day has finally come! 😀
What is this? It is a proper Analog Modular Synthesizer Cabinet/Rack. Basically, I built a (48″W)x(11″D)x(24″H) wood cabinet.

Back of cabinet after combining pieces and fitting the acrylic backplanes (covered with blue protective sheet).

The wood is a fairly cheap “whitewood” (most likely Canadian spruce, so far as I could tell from the processing stamps), which I sanded down, stained with “Special Walnut” Minwax stain, then sealed with Minwax Polycrylic Finish. There were some minor misalignment issues (I was trying my best to be as perfect with fitting and sizing as possible), but I managed to tweak the fittings and force some things to fit together better. I am quite pleased with the results, but not so much with my photography (I really need to remember to use my tripod for future documentation).

Back of cabinet with protective sheets removed.

The back of the rack is filled with two full-length, 1/8″-thick acrylic sheets, to which I have mounted the power supply essentials and will eventually use for some fan exhaust (after I have added a few more modules).

Front of cabinet with random pieces of front panel material added for increased realism.

The front of the cabinet is lined with four 1/16″ aluminum L-bracket rails which will eventually have 4 screw-tapped holes per module to hold them in place. The front panels of the modules consist of a 1/16″ 6061-T6 aluminum sheet and a 1/8″ glare-free acrylic sheet with a printed label sandwiched between them. Most people simply use the aluminum sheet with the label on top (sometimes it is at least laminated), but I figured my approach would probably last the longest. My goal is for this cabinet and attached modules to be something I can continue using 20-30 years from now, so I created a front panel labeling approach that avoids the common warping/scratching/peeling/fading problems of most of what I’ve seen of that age. I think I have done so, at minor added expense. 😀

Backlight Modification for Roland TR-707 Drum Machine

Back in 1985, I was born.

But that’s beside the point; that same year, the Roland Corporation also manufactured my TR-707 Drum Machine! I received it as a birthday present in 2004 (or thereabouts), and after playing with it a few months, me being the hacker that I like to think of myself as, I proceeded to modify it in many different ways. Among them, I wired a TON of toggle switches to the panel, forming a matrix of connections between various sound effect data lines.


These are fairly well-documented circuit bends, and most of the connections create some very unique sounds and effects that I can instantly recognize when I hear in a track (I say that like it happens a lot, but it doesn’t and all I can really think of right now is Last Step (aka Venetian Snares) – “Last Step”). I used it to make some videos recently (before the mod I made this post to discuss was performed):

I have yet to find any articles on the backlighting of a TR-707 or similar device (or perhaps this is just me being too lazy to figure out just what similar machines might exist and searching for “ backlight mod”), so this was something I had to figure out on my own. The LCD in this machine is based on Twisted Nematic technology, so simply putting a light behind the display did nothing for me; in fact, less than nothing. It prevented the LCD from showing anything at all! I later realized this is because this was completely diffused light source. The way the display normally works is there is a reflector with a polarizing film, so that ambient light from outside passes through an outer polarizing film, then the LCD, another polarizing film attached to a reflector, then back out again. Thus, the light you see is polarized in one direction throughout the layers; the segments show up as dark spots in the reflected light because the liquid crystal is twisting the light out of phase with the rest that is reflected behind the LCD, and the outer polarizer thus blocks it from getting through; the segments represent light that is blocked.



So I knew what I needed finally, which was another polarizing film like that found on the outside of the LCD. Long story short: I had an old broken TI-89 graphing calculator which is conveniently based on the same technology, and the film is just slightly smaller than the TR-707 LCD; in fact, it is the same size as the silk-screened grid on the thing, which is all that needs to be backlit anyway! Excellent!

Now for the important, non-ranting bits of information! My backlight consists of a 1/8″ thick piece of mirrored acrylic cut to fit behind the LCD.


I then took some white LEDs, and ground them down to fit flush against the edge of the acrylic; in total, two sets of three, powered by the -10V regulated supply I had to make with an LM317 because I burned out the transformer on board many years ago (that’s another story to tell altogether, but suffice to say that I didn’t know what was messed up for 3 years and only fixed it last year at some point, finally).

I also went ahead and put another transformer in from a wall-wart so that the whole thing can be powered from a normal computer-style power cord. There’s also a small fan to keep the whole thing cool.


The other edges of the acrylic are covered with foil tape to keep light inside, the surface was roughed up a bit to improve diffusion of the light, and the TI-89 polarizer is stuck there. The whole thing is then stuck behind the LCD and everything put back together. Fairly simple idea, but I’m the only one I know of who has documented this process. To do it to other machines, it may not require more broken TI-89s, because the polarizing film can be purchased online in a few places, such as this one.


It is wired with the backlight on all the time because the LCD is readable in both normal conditions and the dark so I didn’t care about setting up a separate switch for it. I find it works nicely, despite some swirls of distortion in various parts (due to the polarizing film not being meant to be removed and placed elsewhere). Finally, I used GIMP to mock up some new labels for the panel (that was a lot of fun, I swear), and printed out on white adhesive label sheets.




For Consideration (I forgot to repost this one)

I have not yet come to terms with my loss. I lost it all recently; every last bit (pun intended) of my personal, educational, and just plain random work saved on my computer was lost and is unlikely to be recovered. For more information, see here:Stuck at GRUB stage1.5 on RAID10 Array After Casual Reboot

Nonetheless, I was fortunate enough to have a few of the tracks I’ve made over the course of the past 2 years uploaded to this server, so here they are. I no longer have the source sequencing, samples, or code that helped create them, nor do I have any desire to try to figure it out again; there is no point, really:

Proton Decay:

Triplet Decay Operator:

Trivial Diffeomorphism:

Nearly 10 years of musical, visual, and literal work have been lost; up to this point, I quite literally had every bit of work I have ever done with a computer since the beginning of High School in 2000. Several hours of music and auditory experimentation, billions of pixels worth of artwork and photography, and hundreds of hours of thinking, researching, and typing for school; all lost. It is very hard for me to let this all go. I could care less about the 100+GB worth of other peoples’ music that I had on my computer, although a lot of that was probably just as unique as my own music; I had a lot of online friends who sent me music over the years and have since disappeared from this world!

Of course, I have many decades of life left to live and to use to produce much more creativity and understanding, so all is not lost. I still have my mind and body in good spirits, and I look forward to whatever else I choose to do with my life! 😀